guess i don't have so much to say, though. somehow my enthusiasm to write is a little low right now. might be because i have a cold and feel really tired. or, because there just isn't so much to write about?
i mean, i already wrote about the atomic bomb museum in nagasaki. (by the way, after posting that article, I added pictures of the museum, so if you didn't see them yet, please check it out again!) and what else is there in nagasaki?
well... one thing is for sure: nagasaki has flair. it is a city i liked, which, in my opinion, has something like character. it's not just houses and houses put next to each other. it's also rivers, which are not seen as a mere hindrance, but actually are part of the city, with beautiful bridges and restaurants at the sidestreets. there are more small shops, not only the big shopping malls which look the same all over japan (or at least they look the sam to me). yes, i did like it there. plus, we stayed in a really nice hostel, comfortable, with a kitchen and living room also used by the owners and staff members, (one time they made some kind of korean sweets for anyone who happened to be there). they also try in various ways to connect their guests with the locals, like doing walking tours and giving tips for nice, local shops (i ended up buying a really cool handbag, since my old one is about to give up).
still, after all is said and done, there is only so much to see if you are a tourist in nagasaki. so the last day we spent walking around really amelessly, wondering what to do with our time.
but, in one aspect we had been really lucky: just the week we stayed in nagasaki, they had the 'lantern festival', their celebration of the chinese new year. that means, many streets were lit up with lanterns, and in several places were free shows (acrobats, music, dances...). so, we saw some acrobats, went to a concert of a group playing the 'chinese violin' (er-hu, i think) and saw a dragon dancing. the concert was interesting, beautiful yet strange, the music was somewhat modern, so closer to european harmonies than old chinese music (i think), but i think that with these instruments the exactness of intervals or that several people are playing really exatcly the same note are not as important as in western music, so sometimes i was flinshing at what i feel were 'wrong notes', though i guess they were not really wrong. but, still, this instrument is beautiful, singiing and strong. some of the pieces in 'crounching tiger, hidden dragon' were played using an er-hu.
the dragon dance was cool, too. but hard to describe. this pictue might give you and idea of it: people carrying the body of the dragon on sticks, walking in circles and then doing tricks, making the dragon curl and uncurl...
| no, it's not father chritmas. maybe confucius? |
| oh nagasaki, diese stadt, die hügel hinaufbrandend... i wonder if in 20, 30 years all the hills will be covered on houses |
| kites! |
| well... it is the year of the rabbit. |
and then we went to katsura. it was damn, damn early, since the only bus left at 7:30, so we had to leave the hostel around 6:45... you can imagine. so, why didn't we go directly to fukuoka?
easy: katsura is one of japan's most famous pottery towns. and: it was worth it. not that katsura itself is such a great town. it is nice, i guess, with an old castle (which looks like basically all castels i've seen so far in japan), some beach, and even some nice houses. but that's not the point. the point is the pottery shops and galleries. of course, since it's so famous, most of the works are totally out of my financial range (like, thousands! of yen for one!cup!), but just seeing the creativity, the beauty, the skill... and there were also more affordable pieces, so i ended up buying a teacup for my sister. (which is something like a revenge for the cup she gave to me when i visited her in korea, many years ago... he he)
alois started feeling quite bad that day, so half of the time i just left him at the station and went about by myself.
| getting a ticket for the bus |
| every available space is used for farming. every. really. |
then, later, we got to fukuoka. after such a long time in kyushu, this 1,5 million-city was something of a shock. it took the bus quite a while to get from the outskirts to the main station... we checked in at our hostel (not as nice as the former one, but still alright), and alois just fell into his bed. the next days i spent exploring the city, sometimes by myself (alois had to stay in bed the whole day yesterday), sometimes with alois. and i have to say: i don't like it. it doesn't have nagasaki's charme, not kyoto's beauty, not tokyo's crazyness and diversity... it is just an accumulation of houses, most of them about 10 storeys high and without anything special. houses and houses, where people can work and sleep. and then there are the shopping malls. really, fukuoka seems like a city that constantly whispers, calls, screams 'buy something, get a new dress, have a coffee at a cool cafe, make yourself more beautiful, hip, elegant, wanted, be in the right places, have the right dinner...' and that's all the city seems to be about. spending money.
it might be fun, ambling though the shops for some hours, being impressed and shocked at the fashion here. (but, to be honest, alois is definitely the wrong companion for that. oh, how i wished for my sister, or some of my friends!) and after so much 'wilderness' (like, aso, or unzen), it is nice to have a nice cafe again for a change. but...
no. not like that. sorry, that's really not what i'm interested in.
well, at least i found some other things to see. yesterday, i went to the asian art museum, which aims at collecting the works of asian artists, mostly modern works. some of the stuff i saw there was great. and it felt good to see art again.
and today we followed on of my friend's advice and went to see one temple. it is famous for it's huge wooden buddha, which isn't the reason we went there (we saw it, but really, it was just big, the expression was kind of lifeless... in german, we call that 'hölzern', which translates as 'wooden'). behind it is a small exhibition of the buddhist hells.
quite impressive stuff. supposed to make you worry, etc. and after those hells, you are lead through a completely black corridor, you really can't see a thing. you go through there, follow it's winding course. and then, on your left, is a picture of six buddhas, beautifully lit.
i guess the message is quite clear, isn't it?
well. tomorrow, if all goes as planed, we will visit the disaster prevention center. and the day after tomorrow, we will depart - and separate. alois is going back to kyoto, and i will move up to tokyo. i wanted to take a night bus again, since it's cheap, but there is no cheap night bus that night, so i gave up and will take the shinkansen. luckily, some friends graciously accepted to have me in their home for the 16th night, so i can go to my 'job' in kamakura the following morning.
ah, how could i forget: fukuoka means ramen! of course. ramen are noodles, came from china, are usually served in a broth and with different toppings, and fukuoka is famous for its ramen. and in fukuoka, ichiran is famous. so we went there. and, indeed, it was great.
(and now, my stomach hates me for having eaten so much wheat)
| this is part of a shopping mall, several storeys above the ground, with a roof on top. the mall is called eeny meeny miny moo and super-expensive. |
| the hell of the hungry ghosts: they are always hungry, but cannot eat nor drink |
| and the fighting gods: invincible, but always fighting |
| in the ramen place: every person has his/her own booth. |
| that's the stuff |

